Andrew Weatherall: lone swordsman who cut new shapes for British music | Music

There was a point, quite early on in Andrew Weatherall’s career, when vast commercial success appeared to beckon him. Already an acclaimed DJ and remixer, his production work on Primal Scream’s 1991 album Screamadelica had helped turn a middling indie act whose career had given every appearance of being in its terminal phase, into an award-winning, multi-million selling band suddenly at the cutting edge, the epitome of the fruitful interface between rock music and the post-acid house dance scene.

Others had worked on the album, including the Orb, and veteran Rolling Stones producer Jimmy Miller, but it was Weatherall…